He went on to study music and engineering at Middle Tennessee State University, and cut his teeth assisting legendary mixer Chuck Ainley and later the equally legendary Mike Shipley. While at high school in Greenburg, Pennsylvania, Cortelyou played trombone in several youth orchestras and jazz ensembles, and also guitar in local bands. Justin “Corky” Cortelyou’s presence at these all-star sessions was the result of a long and winding road, driven by a love of music. I was like, ‘This is awesome! How did I get here?’” It was nice to see that they too were star-struck by having Paul McCartney in the room. “After the vocal overdubs Paul also did a bass overdub, and he came in to listen back and work with me on his vocal sound, while chatting with Johnny, Alice and Joe, who were also in the room.
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I was really happy that I did not hit ‘stop’ on Pro Tools, otherwise that little gem of a piece would not have been on the album! He put his cans back on and started singing along. Paul had taken his headphones off and was starting to walk away when he heard the music. The track had ended, but I left Pro Tools to roll. “While we were recording his ‘mad guy’ vocal there was a moment at the very end of the take, after the end of the song, where the band unexpectedly goes into double-time. “It was nice to see that they too were star-struck by having Paul McCartney in the room. One of his vocal overdubs was done as what he called ‘the mad guy,’ which was the screaming voice he used on ‘Oh! Darling,’ on Abbey Road.” Later, we recorded vocals, so I set up Johnny Depp’s Neumann U47 for Paul, going into a Neve 1073 or 1064 and perhaps a Distressor. There was a lot of noise going on in the room, and the only microphone I could get to work on the upright piano was a PZM contact mic. Paul did arrive, and recorded his song ‘Come And Get It’ while sitting at the piano, playing live with the rest of the band present-Alice was singing backing vocals-while we also had Abe Laboriel Jr on drums. Next I walked over to Johnny Depp’s house, and set up for Paul McCartney, who was likely to come round that day. I’d put my heart and soul into that record, so that meant a lot. One day I was at the hotel in Los Angeles and I got a text in the morning telling me that a country record I had recently worked on, ‘Drink To That All Night’ by Jerrod Niemann, had gone platinum. Brian did vocals with me in the control room at Bob Ezrin’s Anarchy Studios, and at one point he was holding on to my shoulder while singing. It was so cool to be a part of that! Bob was producing it, and of course the band is Johnny Depp, Alice Cooper and Joe Perry, and we had people coming in like Joe Walsh, Paul McCartney, Marilyn Manson, and Brian Johnson. “The most inspirational day of my career was probably when I was working on the first Hollywood Vampires record. Click here to get Recording & Mixing Country with Justin Cortelyou!
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